Cristela was a bit better this week, though it's still got a way to go before it hits the Bad Judge/Selfie "Holy crap that was actually pretty good" tier. The characters beyond the lead are getting some definition- particularly Felix, who'd been entirely one-note to this point. The jokes are still more bad than good, but it's more 60/40 than 80/20, and I can live with that this early in the show's run. Comedy is hard, and if you make me care about the characters I'll give you some time.
Cristela's not quite there yet, but it's close. The title character is very charismatic, and there's nobody actually bad- more than I can say for, say, Mulaney or A to Z. Judging Cristela against its peers is probably the only way to make it look very good, but luckily for Cristela, I've committed to watching its peers, and it's probably the fourth or fifth best of the eight so far. It still has problems, and I'm never going to embrace the laugh track, but it's relatively harmless and has the potential to be something more than that. It'd help a lot if the show realized how much stronger the stuff at the office is than the stuff at the house, but it's likely that those two worlds will overlap more and more as the show goes on anyway.
I'd like to see funnier jokes and less low-hanging pandering to the monkeys in the live studio audience, but for what it wants to do, Cristela's doing a decent job, even if I'd rather it do something else.
NVTV 23: Bad Judge "Knife to a Gunfight" and A to Z "D is for Debbie"
When the two shows premiered, Bad Judge was an unholy mismashed mess, while A to Z was a mildly promising- if problematic- and unobtrusive rom-com.
That's not so much the way it is anymore.
NVTV 21: Black-Ish "Crime and Punishment" and Boredom
I've got really nothing to add about Black-Ish this week, as it's the same show it's been every week. The bullets, to save us all some time:
* The show still spends way too much time holding the audiences' hands establishing and re-establishing the episode's plot and them, which leads to a very slow comedic pace. In this particular case, it also took up so much time that there is no real B or C plot.
*The show employs four child actors, of whom none are good and three are terrible. This week spent more time than usual with them, and that helps nobody.
*Laurence Fishburne is routinely the best part of the show and rarely on screen for more than two or three minutes in an episode. That held true this week, as he got all the biggest laughs, but barely appeared for more than twenty seconds at a time.
*Black-Ish is a show that badly wants to talk about edgy things, but is too afraid to do anything edgy with them. This week was no different, with an episode (and even a few funny jokes) about child abuse, but no real depth or audacity.
*Beyond Fishburne, the rest of the adult cast is strong, but given very little of interest to do. Tracee Elliot-Ross got a few good moments to play this week, but poor Anthony Anderson at this point is basically just a narrator who happens to be on-screen.
* The show is never bad enough to complain about, or good enough to recommend. It simply exists.
NVTV21: Manhattan Love Story "It's Complicated", Selfie "Nugget of Wisdom", Marry Me "Move Me", and Hope
Maybe it's because I was up for twenty four hours of trainwreckery yesterday and am basically just eyes and the R-brain today, or maybe it's just Stockholm Syndrome finally setting in, but I thought all three of last night's shows took a big jump.
Yes, even Manhattan Love Story.
All three episodes really deserve their own post, but I'm already super late, and as mentioned my mental capacity right now is somewhere between "drunk toddler" and "Courtney Love" ("drunk toddler" is the best case scenario, for those who don't know who Courtney Love is), so here's all three in as much detail as I can manage.
NV20: Mulaney's Format Wars
This week's Mulaney continued the very slow upward trend from last week, but at the rate its going it'll be cancelled long before it actually gets good.
There are a number of problems, but the biggest one is that it often seems to be fighting its own format.