NVTV 36: Selfie and Benched

At this point in their respective lives, Selfie  and Benched have almost identical strengths as weaknesses; both shows are perfectly cast and unevenly written, and his week was a very good example of that dichotomy for both show. 

On Selfie we got the weakest writing- at both a joke and story level- that we've seen in weeks, but it almost doesn't matter because Karen Gillan, Da'Vine Joy Randolph, and Brian Huskey have inhabited their characters to the point that they're funny almost by default. There's an incredibly funny- and yet incredibly stupid- segment late in the episode involving a bored Eliza and a rotary phone, that would have been absolute death with almost any other actress but is flat out spectacular because of Gillan's commitment to the bit. Alison Miller's Julia is terribly written, but Miller- a vet of a much better show costarring Cho in Go On- is good enough to make a very dull character ("She's lady Henry, but without any conflict!" said some asshole in the writer's room) bearable. 

As for the writing? The plotting was poorly paced, the jokes were iffy, and the resolution was mostly saccharine, but that's more or less par for the course at this point. Selfie's only had maybe one or two truly well-written episodes, and it doesn't necessarily need great writing to entertain.  

Sadly, though, Selfie is likely dead. It exists in the same mostly-cancelled limbo as Bad JudgeMulaney, and A to Z, and barring a massive ratings spike it's toast. It was alternately too smart for its target audience, and too dumb for the audience it actually should have been aimed at, and then translated to bad ratings in spite of a big promotional push and a stellar- and by network TV standards, fairly star-studded - cast. Hopefully we at least get to see the rest of the initial thirteen episode order, because for all its warts, Selfie is an extremely fun show to watch. 

Benched on the other hand is much more likely to survive, with a cheaper cast, lower expectations, and a stronger start…. but like Selfie, it's pretty much living off the natural charisma of Coupe and Harrington more than off of any particularly good writing or storytelling. The beats in this week's episode were paint by numbers, and the best joke of the episode felt like an ad-lib. Still, it's early yet, and it's much easier for a show's writing to improve (see Bad Judge) than its cast. 

Perhaps it's unfair to claim both shows are poorly written, as both have a very natural and deep understanding of their respective characters and what makes them interesting; they just don't always know how to make them funny. Luckily for us, Gillan and Coupe and the rest are strong enough to inject comedy into mediocre gags… but unluckily for Selfie, at least, that's not quite enough on its own. 

NVTV21: Manhattan Love Story "It's Complicated", Selfie "Nugget of Wisdom", Marry Me "Move Me", and Hope

Maybe it's because I was up for twenty four hours of trainwreckery yesterday and am basically just eyes and the R-brain today, or maybe it's just Stockholm Syndrome finally setting in, but I thought all three of last night's shows took a big jump. 

Yes, even Manhattan Love Story

All three episodes really deserve their own post, but I'm already super late, and as mentioned my mental capacity right now is somewhere between "drunk toddler" and "Courtney Love" ("drunk toddler" is the best case scenario, for those who don't know who Courtney Love is), so here's all three in as much detail as I can manage. 

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NvTV 9: "Un-Tag My Heart" and Selfie's Awareness

I'm not gonna lie to you, folks: this "review all the new sitcoms" project is not going as well as I'd hoped. I've seen six shows (and eight episodes) now, and I can't, in a vacuum, recommend a single one of them. I can't honestly say that I'd be sticking around for any of them if I wasn't doing this (though perhaps my love for John Mulaney and Kate Walsh, respectively, would buy their shows a little more leash)… except for Selfie

It isn't great yet, or even really good, but it's got the strongest core, arguably the highest ceiling, and easily the bravest creative team so far. The second episode, "Un-Tag my Heart," is marked improvement from the first, and more importantly demonstrates an awareness about which parts of the first episode worked, and which didn't.

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